《美食总动员》幕后特辑:动画技术大揭秘

发表时间:2007-10-10 14:12    来源:雅虎娱乐

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冯麦可/技术指导MICHAEL FONG

1.大家好,我是麦可。Hi, I’m Michael Fong

2.料理鼠王的技术指导the supervising technical director for Ratatouille.

3.制作CGI动画的过程中会遭遇许多难题When creating any C.G.-animated film, there’s always lots of challenges to be faced.

4.皮克斯解决问题的能力非常强But Pixar does a really good job of tackling these.
 
5.这部片我们真的投入了非常多的心血I’m really proud of the effort that went into making this movie

6.大家绝对会大吃ㄧ惊and I think you’ll be amazed at what you see. 

7.请欣赏精彩的幕后花絮Please enjoy this behind the scenes look.

8.动画技术大揭秘The Technical ingredients

9.布莱恩丹尼/米爸的配音员   BRIAN DENNEHY

10.动画制作是个复杂又庞大的过程Animation is a very, very complicated business.
 
11.结合上百位不同领域的精英There’s hundreds of people involved in the actual production.

12.马克华许/动画主任 MARK WALSH

13.现实生活中的一切看似稀松平常 So many things that we take for granted in real life

14.却很难在电脑上复制are difficult to do in the computer.

15.妮可葛兰多/制作经理NICOLE PARADIS GRINDLE

16.皮克斯非常擅于解决复杂的问题Pixar is really very good at addressing complex problems.
17.副制作GALYN SUSMAN

18.在服装制作上这绝对是复杂度最高的一部作品By far this is the most complicated clothing that we’ve done.

19.丹尼尔麦寇伊/影像层次主任DANIEL MCCOY

20.电影里面有一幕We went through a special sequence on that with a character, with, uh, Linguini...

21.小林因为要救小米而跳入河中jumps into the Seine to try and save Remy. 

22.当他上岸时全身湿透He comes out dripping wet and

23.我们必须试图呈现衣服贴在身体上的模样we had to try and figure out a way to get that look when cloth sticks to the skin

24.如何透过沾湿的衣服看到一些肤色and you can see just a little bit of color coming through. 
25.冯麦可MICHAEL FONG

26.你知道我们怎么做吗? And so what do we do? 

27.我们强迫一位可怜的同事We abuse one of our poor co-workers. 

28.让他穿上厨师的衣服We make him dress up in a chef’s outfit. 

29.把他用力的推到水里 We douse him with water. 

30.然后拍摄他泡水后的模样and we film it.  What does it look like? 

31.身体上哪个部份可以看到肌肤的颜色Where on the clothing can you see through to his skin?

32.脸上的水如何的往下滴Where do the drips come off of his face? 

33.现在想想那只是个公报私仇的借口It’s kind of our excuse to abuse co-workers, actually, now I think about it.

34.布莱恩葛林/角色设定主任BRIAN GREEN

35.毛发的呈现也是个超大难题The hair challenge was huge. 

36.在怪兽电力公司的年代我们只必须处理毛怪Back on Monsters, Inc. we could render one character with hair

37.就是个很了不起的成就了and that was a great achievement. 

38.这部片有太多有毛发的角色On our movie we had lots of characters with hair.

39.必须让所有的毛发看起来自然Having to render every single individual hair and it has to look just right.

40.小米的毛发必须看起来柔柔亮亮的And the fur had to just look soft and

41.让人情不自禁的想要触摸 like something you wanted to run your fingers through.

42.看看我粉嫩可爱,毛绒绒的小耳朵? “What about my adorable peach fur-covered little ears?” 
43.克莉丝汀瓦格纳/电脑模拟主任CHRISTINE WAGGONER

44.水的流动真很难模拟Water moves in complex ways that no one could ever draw.

45.有一幕类似海底总动员中鲸鱼出现的片段There’s a scene that’s somewhat similar to, say, the Nemo whale sequence,

46.不过难度起码提高十倍but maybe times ten.

47.当初真不晓得要从何开始It was really difficult for us to figure out how we should initially attack that.

48.阿培瓦/特效主任APURVA SHAH

49.如何模拟湍急的水流真的很难Creating fast-moving rapid water, you know, is really hard,

50.因为水跟一般物体不同在于because water, unlike physical objects,

51.水会随机变化出各种形状evolves and has totally random shapes. 

52.对CGI动画来说水的模拟真的很难It’s just always been a very hard thing to deal with in C.G. 

53.电影里有一幕是小米从屋顶掉落水槽中There is this one key moment in the movie where Remy falls from the roof into a sink of water. 

54.当时我们用了好几种动物模型So, basically, we took various characters and just, like, dropped them in

55.观察它们掉入水中的方式and basically looked at how they went through the water, how much

56.周围的水流如何随著下沉而变化,of the water they pulled down with them

57.往上浮的时候周边的泡泡如何形成how the bubbles, kind of, that resulted came back up.

58.大卫巴勒夫/软体负责人

59.从技术端去接触到片里的角色真的很令人兴奋It’s so exciting when you’ve worked technically on these characters,

60.从白纸黑字的剧本到栩栩如生的画面the first time you see them in a story sequence

61.每个角色活生生的出现在眼前and all of a sudden, they’re funny.  They’re alive. 

62.真的超爆笑的You’re just laughing.

63.派顿 奥斯瓦 (小米的配音)PATTON OSWALT

64.这部电影让人感受到皮克斯You get to go see yet another Pixar movie where they’re

65.不断的在精进,深化他们的能力deepening and deepening what they do,

66.许多容易被忽略的小细节little things that you normally wouldn’t notice in animation,

67.例如多雾的巴黎夜晚,灯光如何呈现like quality of the light at night hitting fog in Paris.

68.BRIAN DENNEHY布莱恩丹尼/米爸的配音员   BRIAN DENNEHY

69.最困难的就是如何把大大小小的事情做到最好The hardest thing in the world to do today in this business is to do something carefully and to do it until it’s done right

70.而皮克斯正是个中翘楚and that’s the normal way that they operate.